October 3.
"Killing Time" had begun its extensive development phase, almost like a reminder that in the coming weeks, Billy would have to oversee how the interviews for the project unfolded.
-John, it's great to see you again. - Billy greeted the author of Killing Time, one of the most renowned writers of his time. His masterful storytelling and unforgettable character development had made his books favorites among lawyers, students, curious clients, private investigators, judges, or an unsuspecting third party who had stumbled into trouble. The gripping plots of John Grisham were exactly what people needed to unwind.
I'm happy to see you, too. It's been a fantastic year for you—I've seen your book sales rise, and your private initiative to create a fund for writers is truly commendable," Mr. Grisham responded, his prominent forehead lined with stress, a telltale sign of deep contemplation.
-I enjoyed your performance in The English Patient. - the man added, his tone courteous and thoughtful, quite different from what Billy had expected.
-I hope this one won't disappoint you either. - Billy replied, thinking about Killing Time. The film premiere was less than a week away. He glanced at the poster, where he appeared much older, with a beard and makeup, yet the transformation was quite effective.
-You should join us—we have the best contracts. One of the things that always stands out is how much more competitive we are compared to companies still fighting in outdated ways. We're just looking to organize and promote writing across all sectors. As we reinvest all profits into the company, there's no risk of loss. - Billy stated.
-It won't disappoint me. I've already seen it, and I liked the film. The work was outstanding, and you managed a phenomenal portrayal of my character. Also, I can consider your offer—my contract ends in 1998. If you can secure the right to distribute all my books, I'd be willing to agree with you. - Johnny Grisham remarked.
He shook Billy's hand firmly as the meeting with various industry figures stretched on. It was the magic of Hollywood—an unusual, almost surreal spectacle, where people admired the extravagant and sometimes wasteful spending that often came from Lux Films. Excessive luxury was also a way to show gratitude, a common practice for behind-the-scenes favors that shaped the entertainment industry's politics.
Arnon had invited the enthusiasts—those who craved the same luxury, those who would likely return for future opportunities, and others who were simply there to maintain their social standing. The event had the grandeur of the Oscars.
Billy spotted Jim Gianopulos and considered approaching him to ask about the cost of such an extravagant affair. The sheer opulence was both overwhelming and wasteful—a dazzling display of excess.
-Billy, isn't this magnificent? - Arnon Milchan asked, extending his arms toward the lavish ballroom filled with 300 of the industry's biggest executives.
-I can see that. - Billy replied.
-We're on the verge of signing for our new film production company, Legendary. We'll focus on the teenage audience. It's incredible how cinema serves as a powerful platform—one that will help us secure strategic advantages in the market. Young people are a key demographic, Arnon explained.
-How much money are we talking about? - Billy inquired.
-A modest investment to start. I'll take 20%, and you and my partner will split the remaining 80% equally. It's the best way for us to do this, on our terms. - Arnon started with his usual intensity—a confidence that was both rare and unwavering.
Billy smiled. That was all he needed to hear.
-Maybe if we can form some ties with Regency, that would give us an extra edge. - Billy suggested.
Arnon let out a laugh.
-Only if you bring money to the table. That's the only thing I ask—money on the table. Money and more money. The world runs on money, and money runs the world. -
-How much are you asking for? - Billy asked, his tone devoid of amusement but carrying that sharp, persuasive edge he was known for.
Arnon, however, merely chuckled, sidestepping the question with the effortless poise that came naturally when he was setting himself up for a bigger win.
-And that's exactly why supporting roles often go to veteran actors. A strong supporting role can captivate audiences with just a few powerful moments—it doesn't require extensive memorization, and the workload is significantly lighter. - Arnon remarked.
-I see your point, Arnon. - Billy replied, quickly jotting down a number on a card—the company's valuation, a figure carefully calculated based on the library's worth and 20% of the business.
Billy continued through the event and soon encountered Charlize Theron. She greeted him with a kiss and whispered in his ear.
-Thanks to you, I got the role. So you can take me if you want. -
She laughed as she caught Billy's momentary look of surprise. With Charlize, everything was like this—playful, flirtatious interactions. The press snapped a few pictures, capturing a rather suggestive pose as Billy held her just below the small of her back.
Before he could respond, two familiar figures approached—The Wachowski siblings. They carried a script, one that, as Billy skimmed through it, was practically indecipherable. He now understood why it had faced so many rejections.
***
Donnie Brasco had finally wrapped up its season, and Al Pacino was in his element. He loved this new wave of young actors—brilliant, full of promise. The film industry was at its peak.
The script for The Devil's Advocate was in his hands. It was a masterpiece. He could feel the weight of the role as he read it—the rebellious intensity required for the performance, the commanding presence his character demanded. The second read-through was even better; the layers of the character came to life, breaking through any initial hesitation.
-This will be a full-scale production—a film that won't be forgotten. - said Taylor Hackford, the film's director.
-Who are my co-stars? - Al asked.
-Billy Carson and a young actress with exceptional talent. She's beautiful—stunning. - Taylor responded.
Al Pacino continued reading. The name Billy Carson struck a chord. His reputation preceded him—an actor with an uncanny ability to pick successful scripts, a filmmaker whose projects always became the talk of the industry. More than that, he was known for never failing in his ventures, for creating massive, groundbreaking productions that left even Hollywood's most seasoned producers wary.
It was difficult enough to be excellent in one area. Mastering three? That was almost impossible.
-Well then, I guess I'll just have to satisfy my curiosity. - Al Pacino remarked.
...