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Chapter 10 - chapter ten

Freedom, I have learned, is not always a place.

It is not the absence of chains, or the right to walk unguarded.

Sometimes, it is a feeling that must be fought for even when the war is over.

And for many of us, the war had not ended.

We lived in that city with cautious breaths.

The woman had given us shelter, but the city gave us only tolerance—and even that felt brittle.

At the market, they sold us food with forced smiles.

Some refused to touch our hands, placing coins on the ground or on cloth instead.

Others whispered behind us. One man spat on the path as we passed.

Still, we endured.

We kept our heads high.

But every act of hate chipped at something inside.

Little Chima, no older than eight, came home one evening with tears in his eyes. He had gone to sell woven baskets with his mother.

A group of children surrounded him near the market gate.

"Your skin is dirty," they said. "You're not supposed to be here."

When he tried to walk away, one threw a stone at him.

The scar is still there, just above his left eyebrow.

I remember how the woman knelt beside him, cleaned the wound, and whispered softly, "Your skin holds the sun, Chima. Don't ever let them shame it."

That night, she sat with the elders and the youths. Her voice was steady, but fire blazed behind her words.

"We were not freed just to survive. We must live—boldly. Proudly. We will not shrink to fit their comfort."

And so we began to sing again.

Loudly.

Songs of the ancestors.

Songs of mourning.

Songs of hope.

We danced beneath the moon in the courtyard.

Drums thundered. Voices soared.

Let them hear us, we thought. Let them see us.

But of course, peace has always stirred fear in the hearts of those who build their power on silence.

The very next morning, a letter was nailed to the woman's door. It had no name.

"If they do not leave, we will burn what you've built."

She read it aloud to us all.

And then she burned the letter in front of everyone.

"No one," she said, "will silence us again."

Her defiance gave us strength. But deep down, we all felt the tremor of dread.

That night, guards began walking past our compound.

Their boots echoed too loudly on the stone.

But we didn't hide.

We kept training. Kept singing. Kept learning.

The world around us may not have changed, but we had.

I remember, as I lay awake that night, thinking of all the days spent in chains... the blood... the loss.

And I realized something that filled me with quiet fury:

They feared us not because we were dangerous.

But because we survived.

Because they had broken our bodies, but not our will.

And now that we were building again—speaking again—they saw what they could not erase.

Hope.

We were becoming dangerous, yes. But not with swords.

With memory.

With unity.

With truth.

The woman once told me, "Truth is the sharpest blade. Use it wisely."

And so we would.

The fight was far from over.

It had only changed shape.

I remember the councilman well. His clothes were finer than anything we had ever seen—silks and velvet, embroidered in gold thread, his face always half-hidden under a wide-brimmed hat. To the city people, he was a savior, a man of the people. But to those of us who had come from the Butcher's estate—those of us who still had the ghosts of chains around our ankles—there was something in his gaze that never felt right. Something that told us he knew far more than he let on.

It was the woman who first grew suspicious.

She had taken it upon herself to meet with the city's leaders one by one, pleading for opportunities for us, land to work on, a chance to start anew. The councilman had seemed the most eager to help—offering shelter, papers, and positions for the strongest of our men. And for a while, it seemed as though things were finally beginning to mend.

Until the disappearances began.

First, it was Kunta—one of the younger boys. He had found a job cleaning the council hall. One night, he never returned.

Then Abena vanished—a strong woman who could lift two sacks of rice without flinching. She had gone to speak with the councilman about land she was promised. No one saw her after that.

Whispers began to spread amongst us.

The woman confronted the councilman in private, and though she came back saying nothing, I could see it in her eyes—she was afraid. Not of what he said, but of what she now suspected.

There were rumors—unspoken ones—that some powerful men in the city were still dealing in shadows. That slavery had not ended... only changed its mask.

And when one of our elders, blind and frail, was found in the alley behind the councilman's quarters—beaten and half-dead—we knew the truth was darker than we dared believe.

He hadn't freed us.

He had bought us.

And the woman, who had given everything to save us from the Butcher, now faced another monster—one cloaked in law and gold.

An elder's voice trembled with a mixture of anger and sorrow as he recounted the days following their newfound freedom in the city. "We thought the chains had fallen for good," he said. "But freedom is a word that can be twisted—bent by those who speak it sweetly and smile as they steal from the shadows."

People had began missing and again A man named Dogo vanished after his third week in the city. No one spoke of it at first. Some said he might have wandered off to another province. Others whispered that he couldn't handle city life and went back to the wilderness. But We remembered Dogo's words clearly the night before he disappeared: "Something is wrong. I see them watching us."

Then it was Ekaette, the girl who once held three scars on her back and a fire in her heart. She vanished next. Her few belongings and child were left behind, untouched. And soon after, an elderly man named Malumo. Each disappearance left behind silence… and eyes that no longer trusted.

It was the woman—still weak from her torment under the Butcher—who noticed the pattern first. She rarely slept. Her guilt had shaped her into a restless guardian. And her suspicion grew when she heard that the councilman—the very one who had promised them aid, housing, and work—had requested to "register" each of the former slaves himself.

"What does he need with our names? Our histories?" she had asked.

The woman had trusted the councilman. We all did. He had welcomed them with open arms. Promised them land to work. Told them they were equals now.

But freedom built on paperwork was another form of chains.

The woman followed him once—disguised, quiet as dusk. She watched him leave the council house under the cover of night and enter a dimly lit warehouse at the city's edge.

She returned the next morning, her face pale. Her lips barely moved when she spoke: "He's selling them."

"What?" We asked, disbelief burning in his chest.

"I saw them—your people—in cages. They were chained again. Branded. And he—he stood there laughing with a foreign trader. I saw the coins change hands."

The truth struck us like a thunderclap. The councilman had not freed them. He had bought them. And now, piece by piece, he was selling them back into the shadows.

We had escaped the Butcher's house only to fall into another trap—one dressed in city robes, hidden behind kind words.

"I thought we had escaped," a woman whispered, tears stinging her eyes. "But our freedom was just a new kind of prison."

The woman stood, rage glowing in her tired eyes. "Then we will not wait. We expose him. Burn his name. And this time—we make sure the chains never come back."

A plan began to form that night. Quiet steps. Secret messages. A new rebellion.

But this time, the enemy wore a polished coat and smiled with white teeth.

And he was among them.

The woman boiled with anger vowing to never let anyone of us go missing.

One afternoon as we sat beside the singing songs of freedom a man arrived requesting to meet with her. They walked down the streets discussing, no one heard what they said but all we did was wait for her return.

***

She returned with words saying that she had an urgent meeting and she would returned soon.

Our faces turned cold not because we didn't want her to leave but because we haven't experienced life without ever since we freed from the butcher's hold.

***

As the sun rose nearly dawn, she left. It was quiet, almost like she vanished into the wind. No words. No farewells. Just a haunting look in her eyes—as if she had buried something deep inside her that none of us could reach.

We didn't know where she was going. Some thought she'd abandoned us. Others thought the Butcher had done something terrible, hiding her remains beneath the very earth we walked. But I… I held onto the only thing I had left—faith.

Weeks passed. The city grew colder toward us. Freedom had been given in name, but in practice, we were still shadows on their streets. Eyes followed us with suspicion. Doors closed when we approached. Jobs vanished before our fingers could touch the door handles.

But on that seventh week, when despair nearly drowned us again—she returned.

And not as a broken woman.

She rode into the city not like one who had crawled back from suffering, but like one who had come to deliver reckoning. She wore the official seal of the governor's council, and her stride was flanked by two escorts in the state's uniform.

I don't know what battles she fought during her absence. I don't know the price she paid to gain an audience with the governor. But I do know this: she made them listen.

She spoke not only of the Butcher's cruelty but of the blood on the hands of every official who had turned a blind eye. She brought with her written testimonies, sketches of mangled backs, torn chains, and trembling hands. And she didn't just speak as a witness during our appeal —she spoke as a survivor. We were all present including the council members and few citizens.

"I made a vow," she said before the entire council. "That I would not return unless I could make this land acknowledge the humanity it has tried so hard to erase."

They tried to dismiss her.

She raised her voice louder.

They tried to interrupt.

She slammed the journal of names and blood-signed marks on the table.

"You may see them as nothing, but I saw them sing even with chains around their necks. I saw them weep and still plant fields they could never harvest. If you do not give them what is owed, then history will write your names among tyrants."

For hours, the chamber boiled.

And by nightfall, it was done.

A new decree was passed. One signed by the governor himself.

"All those once enslaved under the Butcher's rule, and any others bound in unlawful servitude, are hereby declared full citizens of the state, with rights equal to those of any freeborn man or woman."

We wept.

Not because we finally had something.

But because it had taken so much—too much—to earn what should never have been denied.

When she returned to us that night, she didn't speak. She simply opened her arms.

And like children, we ran to her.

We called her "Mother of Our Voices."

And though the scars still ached, for the first time in many lifetimes, we slept without fear.

Freedom came with paper and ink—but not all hearts welcomed it.

Though the governor's seal was firm, and the law now shielded us, the city itself remained a maze of quiet hostility. The same streets we walked before, heads bowed and backs bent, now seemed narrower. The same people who once shouted commands now bit their tongues, but their eyes said everything.

They didn't cheer for our liberation. They whispered behind closed doors.

Some shops refused us service. Some houses barred their doors at the sight of our faces. Employers found excuses. Landlords raised their prices. It was as if the city itself fought against the ink of the decree.

But still—we stood.

And she stood beside us.

The woman began organizing meetings in the evenings. Not protests. Not riots. Just quiet gatherings under the stars, where stories were shared and names remembered.

Adewale, they would call me, asking me to speak.

And I would.

I told them of the rivers we crossed in chains, of the flames that took our homes, of the hands that were severed from brothers and sisters. I told them of the rebellion, of the silence, of the day we knelt and did not break.

And I told them of hope.

But behind that hope, there was still pain.

One morning, a young boy named Dada came running into the city square, his face bloodied and eyes wide. A man had thrown a stone at him, calling him a "mud-skinned thief" for walking too close to his store.

The woman arrived minutes later, rage in her voice. She marched to the man's stall with the paper of the decree in hand, but he only spat at her feet.

"Paper doesn't change the heart," he hissed.

She wiped the spit from her boot and said nothing.

But that night, she gathered us again.

And this time, she said, "If they will not open doors for you, then we will build our own. If they will not share their tables, we will carve our own. Let them whisper—we will sing louder."

So we began to build.

One brick at a time. One shelter. One school. One market. All on the edge of the city—ours.

And still, the streets whispered. But now, the wind carried our names.

We were no longer shadows.

We were seeds.

And the woman, the one who had suffered so deeply, was no longer just our liberator.

She was our beginning.

The land they gave us was dry and forgotten—cracked earth and thorn bushes, as if the city had spat its least wanted corner at our feet. But even so, we knelt there, not in chains this time, but with seeds in our palms.

"This is ours," the woman said.

And that was enough.

We began to dig.

Our fingers bled from the stones hidden beneath the soil, but we dug deeper. Children who had once wept in chains now laughed as they carried buckets of water from the stream. Elders who had been beaten and broken now stood as guides, their wisdom a map in the wilderness.

We named the place Ilé-Ominira—The Home of Freedom.

The woman made sure every stone we laid was a symbol. A school for the children. A hall for meetings. A shrine for those we lost. A garden for food. Each space was built with sweat and stories. Each wall whispered our history, and each roof stood against the sky as proof that we would not be erased.

But even in this new beginning, darkness had not given up its pursuit.

One evening, smoke curled into the sky—not from our cooking fires, but from the market at the edge of the city.

They had burned it.

A group of angry men—city dwellers—had set flame to the stalls that some of our people had bravely opened.

Their reason?

"We don't want them thriving," one said, proudly.

The city guards came too late. No one was arrested. No one questioned.

The woman stood in the ashes, her fists clenched, her jaw tight.

"This will not stop us," she whispered.

A woman broke down later that night, alone beneath the tree where we buried the old man who had died just days after we were freed.

She knelt beside her.

"They hate us," she said. "Even now."

The woman placed her hand over hers. "Then let them hate. But we will still grow." All we did was watch from a distance

Her eyes met hers, and something like fire returned to her soul.

The next day, we rebuilt. Again.

And this time, we didn't just build stalls.

We created a council, one made up of our own—people chosen by us. She refused to be called a queen, but her voice echoed in every decision. She refused to be above us, but we all looked to her as the reason we stood.

Then, one morning, a letter came.

It bore the seal of the governor.

He had heard of the fire. And more—he had heard of Ilé-Ominira.

In the letter, he invited the woman to the capital. "We want to recognize the efforts of the freed," it said. "And perhaps… learn from them."

We gathered that evening, every soul in the village.

"What do we do?" someone asked.

The woman looked out at us. Her face was hard, but her voice was soft.

"We go," she said. "Not to beg. Not to bow. But to show them what they couldn't destroy."

And so she packed her things.

As she stepped into the cart that would take her to the governor's court, she looked back at me and whispered, "Keep telling our story, Adewale. They must never forget."

And I nodded.

Because this garden we planted?

It was more than soil and seeds.

It was a promise.

That even when the world burns you, you can grow again—stronger, louder, and free.

Days passed. Then a week. Then two.

Some feared she would not return from the governor's city. Others whispered that perhaps she had found comfort there and forgotten us.

But I remembered her last words to me: "Keep telling our story."

And so I did. Each evening by the fire, I told the children what we had survived. Of chains and the Butcher. Of fields soaked in blood and hope. Of silent defiance and the journey to freedom. And of her—the woman who came with nothing but courage and gave us back everything.

Then, on the fifteenth day, the wind changed.

A sound came from the road—carriage wheels, horse hooves, footsteps.

And then we saw her.

She stepped down from the carriage, not in torn fabric and weary sandals, but clothed in colors that sang of power and purpose. Her hair was wrapped in deep blue cloth, her eyes brighter than the torches we held.

Behind her, guards followed—not to chain us, but to salute her.

Behind them, city scribes and councilmen.

And behind them, something none of us expected: supplies. Tools. Blank scrolls. Seeds. Books. Medicines.

The woman raised her voice.

"I told them," she said, "that our people did not need pity. We needed space. And now—thanks to your strength and our endurance—they listened."

We stood still. We couldn't believe it.

She walked through us like thunder through silence.

"I told them we were not animals," she continued. "That the blood on our backs did not make us weak—but wise."

A messenger stepped forward and read aloud the words from the governor's decree:

'Let it be known throughout the land that the people of Ilé-Ominira are free citizens of this state. They are to be protected under the law. They shall be granted land, education, and the right to trade. Any harm brought upon them shall be judged as harm brought upon the governor's own household.'

Some of us wept.

Some of us fell to our knees—not out of worship, but from the weight of hope.

The woman raised her hand again. "This is not the end. This is the door. And beyond it—we walk as equals."

We feasted that night—not on meat, but on peace. The children danced. Elders sang old songs we thought we had forgotten. And when the fire grew low, I sat beside her once more.

"Did you truly convince them?" I asked.

She smiled. "I reminded them. Of what they had forgotten. That even broken people can rise."

And then she looked at the stars.

"Tomorrow, we begin again," she whispered. "This time, for those who never made it this far."

Not the hunger of empty bellies, though that still visited us often. But the hunger to build, to honor, to remember. The land given to us was hard and wild—just like we were. It held no roads, no homes, no water that ran freely. But we did not tremble.

We had crossed greater deserts with blood on our backs.

We were no longer just survivors. We were builders now.

The woman stood at the center of the clearing, surrounded by children and elders alike, and with the same fire that once defied the Butcher, she laid the first stone. Then we followed—one hand after another. Stones turned to walls. Sticks turned to roofs. Earth opened her arms and gave us roots again.

But in every brick, there were memories.

Of Sefu, who died shielding a child.

Of Ama, whose screams were never answered.

Of Kwaku, whose songs faded in the dark.

We built for them.

Some nights, I could not sleep. I would walk to the edge of the settlement and stare at the hills beyond. I'd remember the journey. The chains. The pain. The loss.

And then I'd remember the woman kneeling beside the wounded, screaming at masters, demanding bread when we were starving. I would remember her eyes in the night—eyes that refused to forget.

One evening, she gathered us again.

"We cannot forget them," she said, her voice low and steady. "We will speak their names. We will write them. And in the center of our new home, there will be a stone for every one we lost."

And so, we did.

We carved names into the rock. And when some names were forgotten, we carved symbols: a drum, a mother's hand, a child's laugh.

The woman stood before the monument.

"Let this be their altar," she said. "So that generations who come after us will never ask, 'Did they matter?'"

She turned to me.

"Adewale," she said, "you have told our story. One day, when my bones are dust, and my voice is gone, let your voice remain."

And I nodded.

Because the pain was not the end of us.

It was the beginning of the truth

*****

Years have passed since we left the shadow of the Butcher's house behind. The world has not grown kind overnight. Prejudice still lingers in whispers and sideways glances, in doors that remain closed and names that are never remembered. But we… we built something out of the ashes.

I sit beneath the old baobab tree now, in a quiet corner of our new village, watching children run barefoot across red earth. Their laughter rings through the wind like songs of ancestors returned. Free children. Children who will never taste the iron of shackles or feel the sting of a master's whip.

The woman— "Nia" as we now call her—she never wanted monuments. She never asked for her name to be sung in the square or etched in stone. But she walks among us still. Not as a ghost, but as a living reminder that one person's choice can become a nation's turning point. It was she who returned when no one else would. She who stood before power, trembling but unyielding, and spoke for those who had no voice.

Sometimes, at night, I still dream of the field where Obinna and I were torn apart. I wonder if he ever made it out, if the sea swallowed him or if another master broke him. I wonder if, one day, fate will cross our paths again. Until then, I carry his memory like a second heartbeat.

There were many who did not live to see this dawn. Their names remain in our prayers, in the way we build our homes, in the scars that mark our backs but not our spirits. We did not survive to forget. We survived to remember.

I am old now. My hands are no longer strong, but I write these words with what strength I have left, so that our children and their children will know: we were once chained, but we rose. We were once bought and sold, but now we plant our own seeds. We once had our tongues silenced—but now, our stories thunder like drums across the land.

Echoes of the past may never fade,

but they do not define who we are—

only who we fought to become.

And so, as the sun sinks low, casting its golden glow across the village we've built, I whisper a final prayer—not of sorrow, but of gratitude. For life. For freedom. For the ones who walked beside me, and the ones who will walk after me.

Nia died 1984 but her memory still lives on. Her sacrifice and courage will forever be remembered.

I am proud to be a survivor, our story will not be forgotten and our legacy would live on for generations

My name is Adewale olusegun, I was once a slave. This is our story and I will never forget.

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